Senna Hegde’s latest Malayalam film, Avihitham, is a witty and grounded black comedy that turns a simple village rumour into a powerful reflection on patriarchy, gossip, and moral hypocrisy. With clever writing, natural humour, and strong performances, this small-scale gem reminds us that even in quiet towns, judgment spreads faster than truth.
A Simple Story with Deep Layers
Set in a small village in northern Kerala, Avihitham begins with a rumour — one man spots a secret affair in the dark and sets off a chain of gossip that spreads like wildfire. What starts as idle talk soon becomes an “investigation” led by local men convinced of their own righteousness. Without any proof, they build stories, jump to conclusions, and plan to “expose” the woman involved.
Director Senna Hegde and writer Ambareesh Kalathera use this simple setup to reveal how moral policing, ego, and insecurity work hand in hand in many communities. The movie cleverly shows how rumours gain power when shared by those who believe they’re protecting honour — while in truth, they’re feeding on others’ humiliation.
Humour Rooted in Real Conversations
Like Hegde’s earlier works Thinkalazhcha Nishchayam and 1744 White Alto, this film thrives on conversational humour rather than punchlines. The jokes come from pauses, awkward exchanges, and the absurd seriousness of the men planning their “operation.”
The first half builds up slowly with subtle humour, while the second half picks up pace, blending sharp satire with suspense. It’s not a laugh-out-loud comedy but one that keeps you smiling through its sharp observations of village life and human behaviour.
Themes of Ego and Hypocrisy
Avihitham holds a mirror to the fragile male ego — showing how quickly friendship, loyalty, and logic disappear when doubt enters the picture. The men’s obsession with proving a woman’s guilt highlights a society where men often act as judges, ignoring their own flaws.
What’s interesting is that the movie doesn’t just target individuals — it questions an entire mindset. By the end, it becomes clear that gossip is not just entertainment; it’s a weapon shaped by patriarchy and insecurity.
Performances and Making
The performances add real charm to the film. Unni Raj as the tailor Venu, Ranji Kankol as the nosy Prakashan, and Vrinda Menon as Nirmala deliver standout work. Their chemistry and natural dialogue make every scene believable.
Cinematography by Sreeraj Raveendran captures the earthy tone of the village beautifully, while Sreerag Saji’s music fits the mood perfectly — simple and authentic. The film maintains a realistic texture throughout, never trying to be flashy or commercial.
Final Thoughts
Avihitham may not have big stars or dramatic twists, but it shines through its honesty. It’s a film about how easily society passes judgment, how gossip turns cruel, and how humour can be a tool to reveal uncomfortable truths.
With its crisp writing, grounded storytelling, and meaningful message, Avihitham proves that strong ideas don’t need loud packaging.
Avihitham is now showing in theatres.
Bullseye Rating:★★★★ (4/5 stars)
